Above: SLASH new album Orgy of the Damned, cover artwork by Toni Greis.
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Watch/share the album trailer for SLASH’s Orgy of the Damned HERE.
A vibrant homage to the blues, SLASH’s star-studded debut blues album and sixth solo album of his career, Orgy of the Damned is a collection of 12 dynamic songs that revitalize the blues with a stripped-down approach. By celebrating both well-known and largely undiscovered songs, SLASH offers a nostalgic nod to the past while reinvigorating the songs with his inimitable guitar playing and the spirit of collaboration. For Orgy of the Damned, the acclaimed guitarist reteamed with storied producer Mike Clink and enlisted the album’s diverse guest vocalists, which include Gary Clark Jr, Billy F. Gibbons, Chris Stapleton, Dorothy, Iggy Pop, Paul Rodgers, Demi Lovato, Brian Johnson, Tash Neal, Chris Robinson, and Beth Hart. Rounding out his blues band in the studio and on the road, SLASH reunited with two of his bandmates from his Blues Ball outfit in the 90s, bassist Johnny Griparic and keyboardist Teddy ‘ZigZag’ Andreadis, and brought on drummer Michael Jerome and singer/guitarist Tash Neal.
SLASH has released two songs off Orgy of the Damned including “Oh Well” which features outlaw country star Chris Stapleton on vocals, and is a transcendent and electrified, bluesy folk-infused take on the Fleetwood Mac gem, written by original founder Peter Green. Listen to SLASH’s “Oh Well” featuring Chris Stapleton on vocals HERE, and watch/share the visualizer for “Oh Well” HERE. Also, listen to “Killing Floor” feat. Brian Johnson of AC/DC on vocals, and Steven Tyler of Aerosmith on harmonica which Rolling Stone hailed “a freewheeling bluesy solo,” HERE and watch/share the “Killing Floor” video for a first look at SLASH and with his blues band in the studio HERE.
SLASH’s Orgy of the Damned is available worldwide digitally, on vinyl and CD via Gibson Records; pre-order HERE. Watch/share album trailer HERE and for more information, go to www.slashonline.com.
Orgy of the Damned encompasses a broad range of styles within the blues genre, veering from an upbeat, rowdy take on Robert Johnson’s “Crossroads” to a plaintive, twanging rendition of T. Bone Walker’s “Stormy Monday.” Some of the songs, like Steppenwolf’s “The Pusher,” Charlie Segar’s “Key to the Highway,” and Albert King’s “Born Under a Bad Sign,” had been performed by Slash’s Blues Ball, while others, like Stevie Wonder’s “Living for the City,” were long-time favorites for SLASH. “Hoochie Coochie Man,” written by Willie Dixon and made famous by Muddy Waters in 1954, showcases the in-the-moment nature and unrestrained energy of Orgy of the Damned, with Z.Z. Top’s Billy F. Gibbons stepping in on guitar and vocals. The group went into a rehearsal room in North Hollywood and began hashing out soulful, rollicking takes on the classic songs. Everything was played live in the room, with an emphasis on improvisation which resulted in a collection of dynamic, energized songs that are immediate, raw, and distinctly familiar.
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