Michael C. Hall, Peter Yanowitz & Matt Katz-Bohen Are Princess Goes To The Butterfly Museum | Band Releases “Tomorrow’s Screams” Video

Michael C. Hall, Peter Yanowitz & Matt Katz-Bohen Are
Princess Goes To The Butterfly Museum
Band Releases Official Video For
European Headline Tour Kicks Off Next Week + Playing Brooklyn’s Sultan Room on November 24
“There’s a sort of palpable theatricality in the music of Princess Goes to the Butterfly Museum. That’s not an accident. Since gelling on [Hedwig] then coming together to make music, the guys have merged their love of rock and electronic music in the vein of ’80s outfits like Eurythmics into the spacious, often moody, ‘rocktronic’ sound heard on their February debut album, THANKS FOR COMING.”
“The beauty of their debut album is in the way it ties together sounds ranging anywhere from synth pop and rock to post punk and disco alongside electronic elements, crafting an identity that’s impossible to pigeonhole.”
“The band explores electronics from multiple angles. From celestial Beach Boys vibes to soulful electro-pop grooves and the foreboding and whimsical, Princess Goes To The Butterfly Museum are creating intersecting hybrids of introspective dark pop and contemporary readings of post-punk. At the center of it is Michael C. Hall’s considerable vocal/psychic range.”
–Alternative Press
“Michael C. Hall goes full-on indie rock God … 1980s-inspired, synth-pop groove. It’s as if he and his bandmates consolidated the chaos of 2020 into danceable exuberance.”
–Huffington Post
“Desert-inspired sound.”
–Entertainment Tonight
“Sonically lush.”
“Boasts an eye-popping, Eighties-style aesthetic.”
–Rolling Stone
“[The] indie rock band led by Michael C. Hall spreads its wings with music that’s hard to pin down. The members defer when asked to describe their sound, preferring instead to say it’s what you might expect to hear in a butterfly museum. If that’s the case, expect the museum to play a mix of glam, dreamy ‘80s New Wave, acoustic folk, Nine Inch Nails intensity and lots of David Bowie.”
–Associated Press
 “Throughout his career, Michael C. Hall has shown a natural flair for versatility. In his band, Princess Goes To The Butterfly Museum, Hall’s impressive vocals join the instrumental works of Peter Yanowitz from The Wallflowers and Matt Katz-Bohen from Blondie. Together, the supergroup fuses styles like classic rock, funk and electropop.”
“The music sizzles with tension, subtly pivoting between ‘80s darkwave and simple synth pop.”
–Consequence of Sound
“Don’t be fooled by the fanciful innocence of Princess Goes To The Butterfly Museum. Though cultivated from the spirit of lively ‘70s bands, fantastical synthesizers, driving percussion and falsetto vocals, concepts like catastrophe-spurred romance and existential anxiety make the band and its debut LP, ‘THANKS FOR COMING,’ veer closer to the likes of the ‘Twilight Zone’ than Disney World.”
–American Songwriter
“Fans of the Dexter/Six Feet Under TV star’s stage work, be it in Hedwig, Chicago, Cabaret, or especially Lazarus, the musical co-written by ultimate rock ‘n’ roll shapeshifter David Bowie, won’t be surprised to hear Hall fronting such a daring (and credible) musical project.”
–Yahoo! Music
“An unexpected album full of Underworld-style bangers.”
“One of the most intriguing debuts of 2021.”
“Princess Goes to the Butterfly Museum’s self-titled EP arrived last April, reflecting the ensemble’s shared love of ‘80s new wave records, as well as the dark synth sounds and dramatic vocals that have long defined that era. The band’s debut album, ‘THANKS FOR COMING,’ pushed those intentions even further.”
“‘THANKS FOR COMING’ is a terrific record; intense, epic – switching between glam-rave-rock and anything synthpop with an entertaining amount of theatricality lingering from the trio’s Broadway origins. The band’s music reveals a range of influences, from Nine Inch Nails to New Order, from Giorgio Moroder to French dance outfit Justice to, yes, AOR titans Boston. Equally diverse is Hall’s vocal range.”
–The Telegraph
“The fact that all three members met on the set of a rock opera makes a lot of sense. Even the band’s name has a kind of fragile grandeur; the melodrama of their songs tempered by throbbing electronics, driving bass and cavernous reverb. On the band’s debut album, ‘THANKS FOR COMING,’ Hall’s voice is unmistakable: stage-crafted and tightly enunciated, but with an audible cynicism.”
–The Line of Best Fit
“Princess Goes To The Butterfly Museum’s debut album is remarkably subtle, sly, and sexy avant-pop.”
–FLOOD Magazine
New York, NY – November 18, 2021 – Princess Goes To The Butterfly Museum (Michael C. Hall, Peter Yanowitz & Matt Katz-Bohen) have released the official video for “Tomorrow’s Screams,” from their debut album THANKS FOR COMING, ahead of their Fall European Headline Tour that kicks off next week. PRESS HERE to watch, and check out “first look” pieces from 1883 Magazine and InsideHook. Tickets for the tour are on sale now, and the full routing can be found below. For fans in New York City, the band will play one last show on their home turf in 2021 before flying overseas. Catch them at The Sultan Room in Bushwick on Wednesday, November 24. PRESS HERE for tickets and more information.
The new video, shot by Lexie Moreland, finds bandmates Michael C. Hall, Matt Katz-Bohen and Peter Yanowitz trapped in a mental maze of clashing feelings as they walk through mundane acts that the camera exposes to be magically intriguing. Each occupy their own world and slowly begin to congregate toward a collective that is seemingly more settled with a prescribed sense of calm and comfort.
“I laid in bed with headphones on one night and listened to the song on loop for hours until I fell asleep, just letting my subconscious work it out, jotting down feelings, impressions and visuals as they came,” said Director and Cinematographer Lexie Moreland. “The toothpaste and silly string moments were ones that occurred to me in that way, via a kind of dream state, and I felt they would work with my vision of each of the guys being on a solo, as well as a collective, journey. And then the apple became the unifying symbol, an image that would connect an overall feeling of disconnection, which is really the emotional tone that I felt being communicated by the song. I chose the apple because it’s visually lovely, and it’s also an homage to Magritte’s famous self-portrait ‘The Son of Man.’I like that as a somewhat subliminal reference since the song, like all songs, is also of course a self-portrait.”
Princess Goes To The Butterfly Museum is comprised of vocalist, lyricist, musician and actor Michael C. Hall (Dexter, Six Feet Under, Hedwig and the Angry Inch), drummer Peter Yanowitz (The Wallflowers, Morningwood) and keyboardist Matt Katz-Bohen (Blondie). The band released their debut full-length album, THANKS FOR COMING, earlier this year which was preceded by their self-titled EP. Both received rave reviews from Rolling Stone, Billboard, Paper, Alternative Press, Associated Press, Consequence of Sound, People, American Songwriter, Magnet, FLOOD, Forbes, Huffington Post, NME, Line of Best Fit, The Independent, Entertainment Tonight. The trio eschews traditional rock instrumentation in favor of stripped-down synthesizer-and-drum attack, and a wealth of disparate influences flow into Princess Goes to the Butterfly Museum’s songs – the glam, experimental, ambient music of David Bowie, Giorgio Moroder’s ‘70s disco productions for Donna Summer, ‘80s new wave dance music, contemporary electronic dance acts like Justice. A theatrical sensibility is part of the trio’s DNA, especially in live shows, having met several years ago on Broadway during the production of Hedwig and the Angry Inch.
Michael C. Hall is a musical talent and a longstanding Broadway performer, having played leading roles in Chicago, Cabaret, Hedwig and the Angry Inch and was selected by David Bowie to star in his musical, Lazarus. He has also earned many accolades for his acting, including an Emmy nomination for his work on the HBO drama Six Feet Under and a Golden Globe and Screen Actors Guild Award for the acclaimed Showtime series Dexter. His bandmates boast similarly prodigious resumes. Peter Yanowitz began his career playing drums in The Wallflowers before going on to co-found indie stalwarts Morningwood and work with artists as varied as Natalie Merchant, Yoko Ono, Andrew W.K., Allen Ginsberg, and Billy Bragg & Wilco, who enlisted him to perform on their seminal ‘Mermaid Avenue’ collaboration. Keyboardist Matt Katz-Bohen spent the last decade touring and recording with Blondie, in addition to working with Boy George and Cyndi Lauper.
For more information, please visit https://princessgoestothebutterflymuseum.com.
Princess Goes To The Butterfly Museum Fall European Tour Dates
November 27 – Bristol, UK – Thekla
November 28 – Nottingham, UK – Rescue Rooms
November 29 – Manchester, UK – Night & Day *SOLD OUT*
November 30 – London, UK – Bush Hall
December 2 – Bedford, UK – Esquires
December 3 – Birmingham, UK – The Castle & Falcon
December 4 – Swansea, UK – Sin City
December 5 – Glasgow, UK – Mono
December 7 – Belfast, UK – Ulster Sports Club
December 8 – Dublin, IE – The Workman’s Club
December 9 – Liverpool, UK – 24 Kitchen Street
December 11 – Kyiv, UKR – Beletage
December 13 – Hamburg, GER – Knust
December 14 – Berlin, GER – Hole 44
December 15 – Munich, GER – Backstage Halle
December 16 – Cologne, GER – Kantine
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