The process of writing and recording the score for Land was unusual. The composing duties would be shared: all four musicians initiated songs, themes, and cues. “It was very special and unique,” says Sollee. “Everybody let themselves be vulnerable and did something that I, certainly, have never seen as a composer, which is thrown four composers in the same space and say, ‘hey, make a score to a movie.’”
The arrival of the pandemic necessitated a complete rethinking of logistics. No one could be in the same physical space; everything had to be done remotely and virtually. In ordinary circumstances, Wright would have been in the room with the musicians to break out the process of writing music to picture. Instead, she and the musicians, along with music editor Shari Johanson and music supervisor Sue Jacobs, had several Zoom meetings to go through the film, scene by scene, to determine the placement of the music. Supervising sound editor/re-recording mixer Paul Hsu took part in the first meeting to address where the sound design would come in.
She struggles mightily against odds that grow steeper by the day, but a timely encounter with a local man, Miguel Borras (Demián Bichir), opens the door to a deeper understanding of nature as he teaches her the skills she needs to survive. An unexpected friendship develops between two wounded souls and a bond that confers healing and grace.
A story about healing and the transcendent power of human kindness, Land follows the journey of a woman searching for a new way to live in the wake of a life-altering loss. Edee Holzer (Robin Wright) removes herself from society to embark on a solitary existence in the remote mountain wilderness of Wyoming. Living off the grid without no prior wilderness experience, Edee is buffeted by the elements and unprepared for nature’s formidable realities. She struggles mightily against odds that grow steeper by the day, but a timely encounter with a local man, Miguel Borras (Demián Bichir), opens the door to deeper understanding of nature as he teaches her the skills she needs to survive. An unexpected friendship develops between two wounded souls, and a bond that confers healing and grace.
ABOUT BEN SOLLEE AND TIME FOR THREE:
Ben Sollee is a Kentuckian who over the last two decades has distinguished himself as multi-faceted creative, blurring the lines between music, tech, and activism. A graduate of the University of Louisville School of Music, he holds a BFA in cello performance. Since his debut record in 2008, Sollee has released six studio records and nearly 10 Eps, garnering praise from the New York Times and NPR. His music has been featured in TV shows such as “Weeds” and “Parenthood.” In addition, Sollee has a growing career as a composer for film, TV, and interactive media, earning an Emmy Award in 2018 for his score on the ABC special “Base Ballet.” Beyond music, Sollee is known for his social and environmental advocacy working with organizations like Oxfam America, The Nature Conservancy, and Canopy KY to protect people and the land. He currently lives in Louisville, KY with his wife and three children.
Time For Three stands at the busy intersection of Americana, modern pop, and classical music. To experience the Emmy award-winning Time For Three (TF3) live is to hear the various eras, styles, and traditions of Western music fold in on themselves and emerge anew. Bonded by an uncommon blend of their instruments fused together with their voices, Charles Yang (violin, vocals), Nicolas “Nick” Kendall (violin, vocals), and Ranaan Meyer (double bass, vocals), have found a unique voice of expression to share with the world.
