“Infinite Worlds is the rock music we need nowadays.” – 8.5 Best New Music
– Pitchfork Album Of The Week
“One of the most remarkable and challenging releases this year.”
– The 405
“A miraculous new talent.” – Gold Flake Paint
“A flawless, genre-hopping debut”
– The AV
“A pure expression of identity.”
“Tamko’s world is about to get larger.”
– Loud & Quiet
“The kind of debut that hints at many more great things to come.”
– Brooklyn Vegan
“One hell of an album.”
“A sharply-executed jumble of fuzz-wrapped postcards and remembered snapshots.”
Vagabon has shared a music video for “Fear & Force.” NPR, who premiered the Zadie-directed video, say this of it: “The love it portrays is not interested in your labels; the world it creates is too expansive and realistic for that.”
Vagabon has also announced upcoming tour dates with Tegan & Sara, Pinegrove, Girlpool and headlining dates with Nnamdi Ogbonnaya in the US and will also be following up her recent European dates, that included a sold out first London show at Electrowerkz, with further shows in the UK and Germany in October. Tickets will be available for the Euro shows from this Friday.
Oct 17 – London, UK @ The Garage Oct 18 – Manchester, UK @ Night and Day Oct 19 – Bristol, UK @ Thekla Oct 20 – Brighton, UK @ Green Door Store Oct 23 – Berlin, DE @ Privatclub Oct 24 – Hamburg, DE @ Turmzimmer
Within the songs of Laetitia Tamko there are infinite worlds: emotional spaces that grow wider with time, songs within songs that reveal themselves on each listen. Tamko is a multi-instrumentalist and a producer, recording since 2014 as Vagabon. On her Infinite Worlds debut (Father/Daughter Records), she hones her singular voice and vision with an unprecedented clarity.
“I feel so small / my feet can barely touch the floor / on the bus where everybody is tall,” she sings softly and with caution, as she begin the album with “The Embers.” Driving punk drums pry her song open, exploding it into an anthem that pushes back at entitled people who make others feel tiny. “I’m just a small fish / and you’re a shark that hates everything,” she sings, repeating that line and over and over with strength and power. “I’ve been hiding in the smallest space / I am dying to go / this is not my home,” Tamko starts carefully on “Fear & Force,” before her finger-picked guitar playing gives way to slow-building synth claps and ethereal harmonies. “Mal á L’aise” is one of the album’s focal points, a five-minute meditation of ambient dream pop, featuring Tamko’s usage of samples; some are samples from a Steve Sobs song on which Tamko was featured, enticing the one writing collaboration of the album. “Mal á L’aise” means “discomfort” in French, Tamko’s first language, and throughout the song she works through different meanings of that word: social, cultural, physical.
Infinite Worlds builds upon Tamko’s stripped-down demos that have been circulating online and throughout the independent music community for the past two years. Her Persian Garden cassette, released in 2014 via Miscreant Records, was a lo-fi collection where she embraced a first-thought best-thought approach, making songs that began with just her voice and guitar. But here, Tamko is the main performer of synths, keyboard, guitars, and drums, at times enlisting the work of session studio musicians. This had Tamko channeling the thoughtfulness of her lyricism into her arrangement and production as well. The result is a wide-ranging eight-song collection that’s pleasantly unclassifiable: hypnotic electronic collages, acoustic ballads, and bursts of bright punk sit side-by-side cohesively, all tied together by Tamko’s soaring voice.
“I write a lot about places, archiving my memories in spaces that I used to be in, spaces I am currently in, or spaces I will eventually be in” she says. “Archiving different moments that I’ve been thinking about, have gone through. It’s not always autobiographical though. It could be about different situations I’ve seen people I love in. Or people I don’t know in. I think that comes a lot from being in different environments.”
Infinite Worlds was recorded at Salvation Recording Co. in New Paltz, NY with engineer and co-producer Chris Daly. Tamko and Daly worked closely and tirelessly in his upstate NY studio through the winter into the spring of 2016. The album’s title references a book of poetry by Dana Ward called The Crisis of Infinite Worlds, a book Tamko found particularly inspiring during her recording process, but also very challenging to read: “I had to think critically while reading Dana Ward, it was exciting to be challenged in that way. While I was writing the album, it was a lot of me thinking critically about how to actualize my ideas, and the challenge of reaching proficiency in new instruments. It sort of mirrored my experience reading Dana Ward’s book. I found myself combing his writing over and over and over until I grabbed something from it.”
And as she sat with her songs, she found more and more. “A lot of it is about finding a space for myself, whether it is physical, emotional, social” Tamko says. “It’s about finding that place where I feel most comfortable. And also finding that the confidence within myself can continue to grow. And finding what it takes for me to feel whole through making music.”